New publication: “Mourning the More-Than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief”

Exciting news! The long awaited part 2 of the special issue of the journal Somatechnics, focused on the ‘Somatechnics of Violence: (Im)material, Affective, and Digital Transformations’ is finally out!

I feel privileged to have had a chance to contribute with an article (available in Open Access) to this wonderful, brilliant, and particularly timely volume!

Big congratulations of course go to the special issue editors: Evelien Geerts, Chantelle Gray and Delphi Carstens, and to all the wonderful contributors!

HERE you can check the entire issue.

And of course you are warmly invited to check out my contribution “Mourning the More-Than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief”, available in OA.

The article also discusses and features visual artworks by artists and creators: Polina Choni (UA), and Eglė Plytnikaitė, Agnė Stirnė and Oskaras Stirna (LT).

More about the article:

Theoretically grounded in queer death studies and environmental humanities, this article has a twofold aim. Firstly, it explores the somatechnics of environmental violence in the context of Northern and Eastern Europe, while paying attention to ongoing ecocide inflicted by Russia on Ukraine, and to the post-WW2 chemical weapon dumps in the Baltic Sea. Secondly, the article examines the concept of eco-grief in its close relation to artistic narratives on ecocide. By bridging the discussion on environmental violence and artistic renderings of eco-grief, the article hopes to contribute to a better understanding of the socio-cultural responses to more-than-human death and loss, and their accompanying ethical imaginaries and affordances.

Keywords: contemporary art; ecocide; eco-grief; environmental humanities; environmental violence; queer death studies.

Five million SEK from FORMAS Research Council for the project “Ecological Grief, Crisis Imaginaries and Resilience in Nordic Lights” (2022-26)

This week’s most exciting news came on Tuesday from FORMAS Research Council for Sustainable Development, who announced the decision concerning research funding in the call “Social and cultural perspectives on climate change and biodiversity“.

Our project “Ecological Grief, Crisis Imaginaries and Resilience in Nordic Lights“, of which I am the Principal Investigator (PI), received 5 million SEK for the upcoming four years of exciting and crucial work!

My colleague and collaborator, Prof. Cecilia Åsberg participates in the project. We are most thrilled to embark on this scholarly adventure together!

Environmental Racism is Garbage. Virtual Research-Creation and Art Symposium. NOW AVAILABLE ONLINE

Photo by David Kilabuk (source: https://environmentalracismisgarbage.art/)

On 27th-29th May 2021 Environmental Racism is Garbage: Virtual Research-Creation & Art Symposium took place online.

This wonderful and important event was supported by a Seed Box grant from Mistra-Formas Environmental Humanities Collaboratory, the Social Science and Humanities Research Council of Canada, Waste Flow (www.wasteflow.ca) and Queen’s University.

Here comes the (shortened) description from the symposium’s website:

The aim of this interactive virtual research-creation and art symposium is to bear modest witness to waste as a symptom of environmental racism. […] Environmental Racism is Garbage seeks knowledge production and acts of resistance at the intersection of art, politics, and the relationship between racialized injustice and ecological crisis. We’ve invited contributions and collaborations from visual and performance-based artists, curators, theorists and activists, to create submissions that engage with the interconnections between environmental health, socio-economic conditions, racialized discrimination, social justice – with transdisciplinary work driven by creative inquiry and lived experience forefronted.

I had a pleasure and honour to speak in the panel focused on Ecological Grief which took place on 26th May. In case you missed it, feel free to check out the recording of the panel (along with many other fascinating talks and panels) available until May 2022 on the symposium’s YouTube channel and website.

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