‘Arts of Non/Living Matters’ seminar & the launch of The Eco- and Bioart Lab – on 17th June!

Join us for this event!

Welcome to the Posthumanities Hub Seminar on ‘Arts of Non/Living Matters’ with Margherita Pevere and Dr Marietta Radomska!

The seminar is combined with the launch of the new research group and platform: The Eco- and Bioart Lab (EBL).

EBL, founded and head by Dr Marietta Radomska, connects artists, artistic researchers and other practitioners, as well as doctoral students whose practice and research focus on art and the environment in their broadest understanding.

When: 17th June 2021, 13:15 – 15:00 CEST

Where: On Zoom (more info below)

REGISTRATION: In order to take part in the seminar, please register by sending an email to the.posthumanities.hub@gmail.com by 16th June 2021 at noon (CEST) the latest.

The Zoom link will be sent to you on 16th June in the evening.

Speakers:

Leaking. Mattering.

By Margherita Pevere

Abstract

Drawing from her transdisciplinary practice, Margherita Pevere will recount how the non/living is an ongoing, uncontainable encounter made of leaks and unlearning.

She will do so by sharing the research behind her recent and previous artworks. She will talk about what it means to interrogate slugs and hormonal contraception as she did for the series ‘Wombs’. She will share very real and potential leaks encountered during the realisation of ‘Semina Aeternitatis’. She will delve into the body entanglements in ‘Eingeweide’, made in collaboration with artist Marco Donnarumma. She will recount how she worked with animal remains in ‘Lymph’.

While celebrating art, Margherita’s talk will weave a dialogue across non/living encounters with ecosystems as a fundamental epistemic mode. In fact, her artworks would exist without learning why the lagoon water gets transparent, observing algal blooms in urban waterways, or engaging with hybrid kinships of different kinds. Art and ecological observation are, in her practice, conjoined strategies of knowing differently. 

Bio

A truly transdisciplinary practitioner, Margherita Pevere works across bioart and performance with a visceral signature. Her arresting creations hunt today’s surging ecological complexity and the ways embodiment and environment are always entangled. To do so, her research hybridises biolab practice, ecology, queer and death studies with a hacking attitude. She has exhibited her work internationally and is now completing a PhD in artistic research at Aalto University on bioart and queer theory.
https://margheritapevere.com
https://frontevacuo.com

Contact: margherita.pevere[at]aalto.fi

Ecologies of the Non/Living: A Queerfeminist Biophilosophical Perspective

By Marietta Radomska

Abstract

The concept of ‘the non/living’ (Radomska 2016) stems from a transdisciplinary theoretical and practical engagement with bioart, bioscience, and philosophical approaches to life. The non/living reframes what is conventionally referred to as ‘life’ in order to problematise the materiality, processuality and ambiguity of the relationship between the living and non-living, growth and decay, and ultimately, life and death. This ambivalent entwinement comes to the fore even more so when considered against the backdrop of the planetary environmental disruption and other intersecting more-than-human crises of our times.

Drawing on process, queer and feminist philosophical perspectives as well as several select examples of contemporary bio-, eco- and media artworks, I will offer a queerfeminist biophilosophy as an approach that may allow us to better comprehend the complexity, vibrancy and materiality of the non/living. The latter, always-already understood as ‘ecologies of non/living matters’, calls for not only an ontological reflection, but also for an ethical one.

Bio

Marietta Radomska, PhD, is an Assistant Professor in Environmental Humanities at Linköping University (Unit Gender Studies); director of The Eco- and Bioart Lab; co-director of The Posthumanities Hub; and co-founder of Queer Death Studies Network. She works at the intersection of the posthumanities, environmental humanities, continental philosophy, feminist theory, queer death studies, visual culture and contemporary art; and has published in Australian Feminist StudiesSomatechnicsWomen, Gender & Research and Artnodes, among others. Web: www.mariettaradomska.com

Image used on the poster:
Margherita Pevere, Wombs | Study. pencil on colour print 27×18 cm, 2018.

The Eco- and Bioart Lab

Watch online: “(Bio)art & ecologies of non/living matters: A conversation between visual artist Emanuela Cusin and philosopher Marietta Radomska.”

In case you missed the event ‘(Bio)art & ecologies of non/living matters’ that was livestreamed last month, fear not… The recording of the session is now available on University of Birmingham YouTube channel (see below).

About the event:

Visual artist Emanuela Cusin (Wysing Arts Centre, Cambridge (UK)) and philosopher Dr Marietta Radomska (Assistant Professor in Environmental Humanities, Linköping University (SE)) present their artistic and philosophical engagements with the matter(s)—and materialisation—of (bio)art and ecologies of the non/living. They do so against the backdrop of these more-than-human crisis times that are afflicted by political and pandemic violence, (counter)terrorist acts and events, and processes of mourning, trauma, and commemoration.

AFS’s special issue on ‘Feminist Technoecologies’ is out now!

The special issue of Australian Feminist Studies focused on the topic of ‘Feminist Technoecologies’ (vol. 32, no 94) and edited by fantastic Dagmar Lorenz-Meyer, Pat Treusch and Xin Liu has just been published!

Here’s a little snippet from the introduction by the editors:

‘This special issue of Australian Feminist Studies is a collective effort to think with and through the notion of ‘feminist technoecologies’. One of the shared starting points of the contributions is that the term is not simply the conjoining, but a simultaneous reworking, of ‘technologies’ and ‘ecologies’, from various feminist perspectives. The articles provide critical responses to the contemporary challenges of environmental degradation, refugee crises and digital technologisation by asking how the boundary is drawn between the technological and the ecological, and how these distinctions are informed by implicit and explicit investments in the exceptional status of the human condition. They share the view that technology is not simply a neutral tool for management and advancement, any more than ecology is merely the environment, whose harmonious organisation becomes disturbed by human enterprises and technological interventions.’

(Lorenz-Meyer, Treusch & Xin Liu 2018: 351)

In the issue you can also find my my text Non/living Matter, Bioscientific Imaginaries and Feminist Technoecologies of Bioart’ – available in OPEN ACCESS here.

 

 

CfP: The Third International Queer Death Studies Workshop “Death and Dying in a Queer Context”

See the original post here.

The Third International Queer Death Studies Workshop “Death Matters: Death and Dying in a Queer Context”, 30-31 May 2018 Linköping University, Sweden

CALL FOR PAPERS

3qds

Queer Death Studies Network (QDSN) was officially launched in November 2016 at the G16: Swedish National Gender Research Conference in Linköping and has been vividly developing since then. The network constitutes a space for researchers, students, artists, activists, and other practitioners who critically and (self) reflexively investigate and challenge conventional normativities, assumptions, expectations, and regimes of truths that are brought to life and made evident by death, dying, and mourning.

The conventional engagements with the questions of death, dying and mourning are insufficient and reductive: they are often governed by the normative notions of the subject; interhuman and human/nonhuman bonds; family relations and communities; rituals; and finally, experiences of grief, mourning, and bereavement.  Moreover, these engagements are often embedded in constraining beliefs in life/death divides, constructed along the lines of conventional religious and/or scientific mind/body dualisms.

Against this background, QDSN serves as a site for ‘queering’ traditional ways of approaching death both as a subject of study and philosophical reflection, and as a phenomenon to articulate in artistic work or practices of mourning. Here, the notion of ‘queer’ conveys many meanings. It refers to researching and narrating death, dying and mourning in the context of queer bonds and communities, where the subjects involved/studied/interviewed and the relations they are involved in are recognised as ‘queer’. Simultaneously, the term ‘queer’ can also function as an adverb and a verb, referring thus to the processes of going beyond and unsettling (subverting, exceeding) binaries and given norms, normativities, and constraining conventions. In other words, ‘queer’ becomes both a process and a methodology that is applicable and exceeds the focus on gender and sexuality as its exclusive concerns.

During our previous workshops we have focused on the ways queer theory and queer perspectives can help us rethink death, dying, remains, afterlife, mourning and the life-death dichotomy. In other words, we have explored what ‘queer’ means and, most importantly, what it does to the question of death in its multiple incarnations and avenues.

The upcoming workshop concentrates on the notions of ‘death’ and ‘dying’ as such. What do death and dying mean? What is the relationship between death and dying? How do death and dying matter (and materialise) beyond the normative structures constitutive of ontological, epistemological, ethical, legal, and conventional religious frames? What are and what can be the onto-epistemological, ethical, cultural and legal implications of rethinking death and dying through a queer(ing) lens? And, in turn, what does focusing on and rethinking of death and dying do to queer studies? What does it do to the cultural imaginaries and practices?

The workshop will consist of individual papers (20 min), arranged in panel sessions, followed by Q&A and joint discussions. We welcome submissions from both academics and non-academics, as the event aims to mobilise transversal dialogues on the theme. If you would like to present a paper at the workshop, please, send an abstract (max 300 words), accompanied by a short bio (up to 100 words) to: tara.mehrabi [at] liu.se. Deadline EXTENDED: 18 March 2018.

The event starts on 30th May at 13:15 and ends on 31st May at 16:00 in Linköping, Sweden.

Unfortunately, the workshop is organised on a very low budget, which means that we are not able to cover the travel and accommodation costs for the speakers.

The workshop is available to everyone and there is no participant fee.

We will provide participants with coffee/tea and snacks, but dinner and lunch will be on self-paid basis.

If you would like to take part in the workshop on these (self-paying) conditions and would like to apply for an external funding to cover the travel, food and accommodation costs, we will be most happy to provide you with an official invitation letter.

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