Routledge International Handbook of Queer Death Studies is finally OUT!

At the end of October 2025 – after five intense years of hard work – the long awaited publication came out!

The 758-page volume: Routledge International Hanbook of Queer Death Studies, edited by Nina Lykke, Tara Mehrabi, and yours truly (i.e. Marietta Radomska), encompasses 63 chapters, written by 75 authors. The book consists of seven thematic sections: I. Rethinking  Life/Death Ecologies and Temporalities; II. Anthropocene Necropolitics and Extinction; III. Caring Death Activism; IV. Aesthetics and Mediated Imaginaries of Death; V. Politics and Ethics of Grieving Practices and Remembrance; VI. Co-Becoming with the Dead and Spectral Mourning; and VII. Imagining Life/Death Entanglements Differently.

Broadly speaking, the Handbook aims to provide a comprehensive, international cartography of Queer Death Studies, offering broad, in-depth insights into the field and its emergence through tentacular transdisciplinary networking. Taking research and art-making on death, dying, mourning, and afterlife into new directions, it explores the multiple effects of contemporary necropolitics and the proliferation of death-worlds during the current period of Earth’s history, ‘The Anthropocene’ or ‘the Age of Man’.

Informed by queer, critical posthumanist, decolonial, and feminist approaches, the Handbook presents a unique variety of both critical and affirmative reflections upon the world’s intersecting necropowers, and ethico-political potentials for social and environmental change. Contributors speculate on ways to reimagine life/ death-relations as vibrant entanglements. They also investigate modes of mourning differently, resisting necropolitical regimes that deem human and non-human individuals and populations to be disposable and non-grievable when they differ too much from the normative modern subject, Universal Man, in terms of intersections of gender, racialisation, class, sexuality, embodiment, embrainment, geopolitical positioning, or species.

A thought provoking read, this Handbook is intended for broad global audiences of researchers, artists, teachers, students, death-professionals, (health)careworkers, activists, and NGOs interested in tools to rethink and reimagine death, dying, mourning, and afterlife from intersections of queering, decolonising, posthumanising, and feminist perspectives.

The volume includes two chapters that are available in OPEN ACCESS.

Docent lecture ‘Biophilosophical Investigations: Between Environmental Humanities, Queer Death Studies, and Artistic Research’

While I have held the title of docent (Swedish equivalent of continental-European habilitation) since June’24, it is only now that there is a chance for a moment of celebration.

Namely, if you are in Linköping on 25th February, please join us for the Docent and Professor’s Lectures organised by the Department of Thematic Studies (TEMA), where I will have a pleasure to present along with Prof. Thomas Kaiserfeld.

In my docent lecture ‘Biophilosophical Investigations: Between Environmental Humanities, Queer Death Studies, and Artistic Research’, I will take you on a little tour de force through my post-PhD research.
Hope to see you there.

New publication: “Mourning the More-Than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief”

Exciting news! The long awaited part 2 of the special issue of the journal Somatechnics, focused on the ‘Somatechnics of Violence: (Im)material, Affective, and Digital Transformations’ is finally out!

I feel privileged to have had a chance to contribute with an article (available in Open Access) to this wonderful, brilliant, and particularly timely volume!

Big congratulations of course go to the special issue editors: Evelien Geerts, Chantelle Gray and Delphi Carstens, and to all the wonderful contributors!

HERE you can check the entire issue.

And of course you are warmly invited to check out my contribution “Mourning the More-Than-Human: Somatechnics of Environmental Violence, Ethical Imaginaries, and Arts of Eco-Grief”, available in OA.

The article also discusses and features visual artworks by artists and creators: Polina Choni (UA), and Eglė Plytnikaitė, Agnė Stirnė and Oskaras Stirna (LT).

More about the article:

Theoretically grounded in queer death studies and environmental humanities, this article has a twofold aim. Firstly, it explores the somatechnics of environmental violence in the context of Northern and Eastern Europe, while paying attention to ongoing ecocide inflicted by Russia on Ukraine, and to the post-WW2 chemical weapon dumps in the Baltic Sea. Secondly, the article examines the concept of eco-grief in its close relation to artistic narratives on ecocide. By bridging the discussion on environmental violence and artistic renderings of eco-grief, the article hopes to contribute to a better understanding of the socio-cultural responses to more-than-human death and loss, and their accompanying ethical imaginaries and affordances.

Keywords: contemporary art; ecocide; eco-grief; environmental humanities; environmental violence; queer death studies.

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